Contents [] Also Called • Creation And Destruction Incarnate • Creation And Destruction Manifest • The Beginning And The End • The Prime Force Of Universal Life • Prime Universal Force Of Life Capabilities The user embodies the creation and destruction, jump starting and breathing life into the universe but also to destroy it and begin a new. The cycle of creation and destruction is never ending and as such a being with this power is immutable and indestructible. Applications • All • All • • • / • / • • • • Associations • • • • • • • • • • Limitations • If users of this power does not know how to control it then they could wipe out entire universes and possibly all of existence with the only survivor being one who is. Known Users • The Ethereal ( Aladdin: The Animated Series) • Deumion ( Final Fantasy II) • ( Marvel Comics) • White Phoenix of the Crown • Void/Origin ( Kara no Kyoukai) • Harihara ( Valkyrie Crusade) • The Dragon ( Touhou) • Destruction ( DC Comics) • God ( Abrahamic Religions) Gallery. Hanako O'Leary's art is.really fucking cool Jasmyne KeimigSome might describe Seattle artist Hanako O'Leary's work as confrontational—and it's easy to see why it's confrontational, if you don't spend a lot of time thinking about vulvas (your own and others'), and giving the world the bird. But I think there's another more apt phrase to describe O'Leary's work: 'really-fucking-sick'! 'Punk-as-fuck,' even. Or, more accurately, me just pointing to each piece and nodding really hard and making approving noises, grunting, 'Yes, THIS,' as if the work is a tweet I agree with but don't care to expand on. You can find O'Leary's pieces in, a show at that features work from three generations of artists: Elizabeth Sandvig, Erin Shafkind, and O'Leary. Maketi dlya knigi a5. All work within the medium of clay, though each artist has markedly different interests. Shafkind's work revolves around shit and food, creating playful boxes with gold-covered turds perched on the lid and vases that balance veggies and hamburgers on top. ![]() Sandvig is much more interested in cats of all kinds. But O'Leary's pieces are each incredibly remarkable and distinct in their own way, unlike anything I've seen before. Especially made out of clay. Battle Mask #1 JKO'Leary's five pieces featured at the gallery are part of a larger series of works called Izanami, named after the Shinto goddess of creation and death who died while giving birth to fire and was subsequently sent down into the underworld. O'Leary—who is half-Japanese—started this series in February 2018 after having her first abortion. She tells me over email that her work continues Izanami's story, 'embracing the mystical feminine realm in its entirety and celebrating the right to create or destroy what lies within our own underworld.' The masks pictured above are battle masks inspired by the and are part of a series of 12. We study money creation and destruction in today's monetary architecture and examine the impact of monetary policy and capital regulation in a general. Sun Tzu's Patterns of Creation and Destruction. What is interesting is that Sun Tzu's elements can be arranged in this same circle and connected in the same way to make the creation and destruction patterns. The creation cycle can be again be shown as a cycle in a pentagram. In Sun Tzu's system. The masks are traditionally used in Noh theater and are meant to portray the souls of women who become demons due to obsession or jealousy, their faces growing two sharp horns, metallic eyes, and an upturned mouth revealing long sharp teeth. O'Leary flips this a bit, putting a delicate and carefully sculpted vulva where the face should be, telling me it's a comparison between the two. 'I believe both to be complicated, feared, deeply misunderstood, and powerful.' Looking at it up on the wall, illuminated by just a single lamp, there is something compelling about it. The precise calculations provided by the software ensure proper low distribution and structural integrity.
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